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Tuesday, September 25, 2007
Saturday, September 22, 2007
Thursday, September 20, 2007
Sunday, September 16, 2007
about temple
Vijayawada
HistoryVijayawada is known in mythology as Vijayavata, and is mentioned in some inscriptions as Rajendracholapura also. it is a famous place of pilgrimage on the river Krishna, and 'has a temple dedicated to Lord Siva in his aspect of Malleswara or Jayasena. The origin or installation of Kanaka - durga Devi at Vijayawada is unknown. She is said to be Swayambu or selfmanifest. She also takes the aspect of Chandi or destroyer of the demon Durgama who was causing havoc among the peace - loving inhabitants of Dakshinapatha.The installation of Vijayeswara is said to have been done by Arjuna, one of the Pancha Pandavas, to commemorate his victory with Lord Siva in the shape of Kirata or hunter. The place Vijayawada is surrounded by many hillocks and the most important of them is Seethanagaram, while the less important is called the Kanakadurga or Kanaka konda. On the southern side of the Kanakadurga temple, is a hillock with sculptures bearing inscriptions, indicating the names of Gods and Goddesses cut below them. Most of these figures are forms of the Goddess in her aspect of Durga, which are dealt with in the Mantra Sastras. Traditionally these hills were originally continuous and at the command of the Lord, they got separated, making enough space for the river Krishna to pass through. One of these hills is called Indrakila, which is a famous hill mentioned in the Mahabharata as the place where the Pandava hero Arjuna obtained from Lord Siva an important weapon called Pasupatastra. The aspect of Lord Siva who appeared before Arjuna for granting him the boon is Kirata or the hunter. Bharavi in his celebrated Kavya "The Kirtarjuneeya" has immortalized this. The temple of Vijayeswara is attributed to Arjuna to commemorate the event of obtaining Pasupatha. The shrine has the representation of this and many other events of the Mahabharata commemorated in sculpture. It is stated that, prior to the Kaliyuga, the sage Agasthya had named the Lord at Vijayawada as Jayasena.The Mahabharata hero Arjuna, who was a great wrestler or Mallayoddha, called the Lord as Malleswara. Thus famous Lord Siva so goes the legend, graces with his presence and blesses the town Vijayawada on the banks of the sacred Krishna River. There is an inscription in the temple, of the 9th century A.D., in the usual Telugu script. The inscription is strangely recorded from bottom upwards. Its purpose is to say that a certain Thrikoti Boyi or Trikoti Boyu, the son of Kaliyama-Boy of Pechchevada, set up the pillar as a commemoration of his own fame, in order to secure distinction for his race. The Thrikoti Boyi is identified in the inscription with a Guhyaka Yaksha, who in Dwaparayuga was directed by Indra to direct Arjuna to Indrakila hill, where Arjuna should worship the Lord Siva in order to obtain Pasupatha from him.Besides being a religious centre, Vijayawada is also the very centre of Andhra culture. The Chalukyas of Kalyan once conquered this place, and the famous Chinese Hu-yan-Tsang had visited this place in 639 A.D. when Buddhism was at its zenith. How the place got its name? The legend is as follows: During their wanderings in the forest, the Pancha Pandavas came to Darukavana, where Vedavyasa met them, and told them that one of them should perform Tapascharya in praise of Lord Siva, and obtain from him, the Pasupatastra as a boon, so that they may easily conquer their enemies. Arjuna was chosen for this task and be betook himself to the top of the Indrakila hill (which is said to be the same as the Indrakila hill of Vijayawada) and was performing intense Tapascharya, with his arms upraised, and standing on one foot, and surrounded by the Pancha Agnis or five fires, with four artificial fires around him, and the fifth being the Sun God himself above him. Being pleased with the great Tapascharya of Arjuna, Lord Siva wanted to further test his sincerity, before granting him the desired boon, and therefore took the form of a Kirata or hunter. Parvati also dressed herself as a huntress and the Sivagana of the Lord also came in several disguises. Accompanied by all these, Lord Siva was hunting on the Indrakila bill, driving a wild boar in front of him. The wild boar came to the side of Arjuna, and Arjuna being a great warrior, took up his bow, and shot it with a single arrow. At the same time, Lord Siva who was following it also shot it with an arrow, and being struck by both the arrows, the boar fell down dead in the middle. Both the Lord and Arjuna claimed the boar as their kill, and a controversy arose between them, as to whom the boar should belong. Words led to physical quarrel shortly, and the Lord and Arjuna began to wrestle with each other. An experienced and powerful wrestler though he was, Arjuna was no match before the Lord himself, and was soon exhausted. Even in the midst of that desperate struggle, he never lost his one-pointedness of mind and devotion to the Lord.To invoke divine aid in his favor, he made a Shivalinga out of the earth, worshipped it, and offered prayers to it. He saw the flowers, with which he worshipped the Linga, as physically falling on the hunter before him and he thereupon realised that the hunter was none other than the Lord himself. The hunter immediately disappeared and the Lord appeared himself before Arjuna, in all HIS glory. Arjuna prayed to HIM and his prayer was granted, and Pasupathastra was given to him by Lord Siva, As a commemoration of this great event, Arjuna is supposed to have installed the Vijayeswara temple here, in the Indrakila hill. In the Indrakila there are several rock-cut temples. These were supposed originally to be ancient temples, but during the course of time, they were completely buried under debris. When quarrying for stone and road metal was done, they were revealed, and the rock-out temples were preserved as protected monuments.
Thursday, September 13, 2007
about templae
The Goddess in the form of the Universal Mother is worshiped for nine nights and hence the name nava-ratri. On the tenth day, the festival comes to an end with a special puja called Vijaya Dasami, the tenth day of the bright half of the Hindu month of Ashwayuja or Ashwina.
The Legend ACCORDING TO THE INDIAN MYTHOLOGY Mahishasura, the king of Asuras, through years of austerities, was once granted a boon by Lord Bramha, that no man or deity would be able to kill him. The immense power filled in him the urge to rule over the world. He started to terrorize heaven and the inhabitants. He pervaded the world with his battalion of Asuras and plundered and ruthlessly killed the people. Chaos and anarchy reigned. Gods were driven from heaven and Mahishasura usurped the throne.
The Gods scared and unable to combat him, requested Lord Shiva, Lord Bramha, Lord Vishnu to stop Mahishasura's tyranny. In answer, the three Gods combined their divine energy and summoned up a feminine form so brilliantly glaring that it illuminated the heavens. From the glow emerged Devi Durga, a beautiful yellow woman with ten arms riding a lion. Despite her grace she bore a menacing expression, for Durga was born to kill. Fully grown and beautiful Durga was immediately armed by the gods and sent forth against Mahishasura bearing in each of her ten hands, symbols of their divine power.
Vishnu's discus; Shiva's trident; Varuna's conchshell; Agni's flaming dart; Vayu's bow; Surya's quiver and arrow; Yama's iron rod; Indra's thunderbolt; Kubera's club and a garland of snakes from Shesha and a lion as a charger from Himalayas. A fierce battle took place. Finally when Mahishasura in the guise of a buffalo charged against Durga, the Devi beheaded the buffalo and from it emerge Mahishasura in his original form. Durga pierced his chest with the trident and relieved the world from the evil power. That is why she is 'Durgatinashini Durga', our mother goddess who destroys the evil, protects her devotees and establishes peace and prosperity on earth.
According to mythology it is believed that the Puja was first started by Rama who invoked Her blessings before setting for the battle against Ravana.
Temple in Vijayawada The city of Vijayawada in Andhra Pradesh is home to three distinctive temples - the Kanakadurga temple, the Malleswara temple and the Vijayeswara temple. Near Vijayawada is the hill temple complex of Mangalagiri dedicated to Narasimha.
Historically the Malleswara temple goes back to the period of the Tribhuvana Malla, a Chalukyan ruler of the 10th century CE. The Malleswara temple enshrines a Shivalingam believed to have been held in worship by the sage Agastya. Legend also has it that this temple was established by the Pandava prince Yuddhishtra. It is believed that the Lakshmi Narasimha temple at the foothills of Mangalagiri nearby was also built by Yuddhishtra the Pandava prince, and that the Vijayeswara temple was founded by Arjuna.
It is believed that Agastya worshipped Shiva at this temple as Jayasena, while Arjuna worshipped him as Malleswara.
The Indrakila hill in Vijayawada is said to be associated with the legend of Arjuna (Vijaya) obtaining the Pasupataastram from Shiva. The Vijayeswara temple has this and many other such legends illustrated in stone sculpture.
The Kanakadurga temple is a well visited temple in Vijayawada enshrining the Chandi or the Durga aspect of Shakti. The spiritual leader Aadi Sankara is believed to have visited this shrine and installed a Sree Chakra.
Lord Bramaramba MalleswaraTemple Of Kanakadurga Legend has it that Arjuna, of the epic Mahabharata, prayed on top of Indrakiladri hill and won the blessings from Lord Shiva. The name of 'Vijayawada' is derived from this 'Vijaya' - victory. Kanaka Durga, goddess of power, riches and benevolence is considered the presiding deity of Vijayawada. The temple is set on Indrakiladri hill. A temple of Lord Maheswara is also within the city area. It is said that Adi Sankara visited this temple and installed Sri Chakra here. Special celebrations are held during Dussehra festival. At the Kanakadurga temple, the enchanting four-foot high icon of the deity gleams into sight even before one enters the garbha griha. The goddess with eight hands and equipped with eight powerful weapons is seen in a standing posture over the demon Mahishashura and piercing him with her trident. The Goddess bedecked in glittering ornaments and floral decorations is the epitome of beauty. Devotees worship goddess Kanakadurga to bestow them with health, wealth and prosperity. The temple authorities at the Kanakadurgeswari shrine have made elaborate arrangements for devotees to have darshan from different points. The first is the special darshan from within the sanctum sanctorum in close proximity of the deity and the second special darshan is from just outside the sanctum sanctorum. The third type of darshan is from a distance. Chanting of mantras and devotional music euphonises the air in the mornings creating a serene atmosphere.
`Mula Nakshtram', the `Janma Nakshtram' of the goddess.
First friday of Shravana Month (Shravana Masam) is considered very holy and scores of devotees throng the temple on that day
Monday, September 10, 2007
SRI DURGA MALLESWARA SWAMY TEMPLE
The temple of Kanaka Durga the Goddess of power, riches and benevolence and the presiding deity of Vijayawada, is swarmed by lakhs of pilgrims for worship during the “Navarathri” festival which is celebrated with Religious fervour, pomp and festivity. The small but ancient temple of Kanaka Durga , a top the Indrakeeladri hill on the banks of the Sacred river Krishna in Vijayawada abounds with legends of historical interest.
Indrakeeladri is unique in that it has been the chosen abode of Kanaka Durga and Her consort Malleswara as Swayambhu (the self-existent one). Here Durga is one the right side of Malleswara as against the tradition of Goddesses taking their position on the left of their consorts. This shows that Shakthi is predominant on the Indrakeeladri.
Legend has it that the demons acquired great powers by appeasing the Gods and began harassing the sages on the earth. Goddess Parvathi assumed various forms to kill these demons. It was kausiki to kill Sumbhu and Nisambhu, Mahisasura Mardini to kill Mahishasura and Durga to kill Durgamasura. “Kanaka Durga because she was aglow with golden hues, and prayed Her to stay on earth and bless them. Kanaka Durga asked Keeludu an ardent devotee to take the form of hill to enable Her stay on him. Thus Keeladri became the abode of Durga. She took the form of Mahisasura Mardini with eight arms holding different weapons, riding on a lion and trampling Mahishasura on the hill of Indrakeeladri. Her consort Shiva took his place on an adjacent hillrock as Jyothirlinga. He was worshipped by Lord Brahma with jasmines (Mallelu) whereby he got the name of Malleswara Swamy. As celestial beings like Indra visited the place, the hill came to be called Indrakeeladri.
Here it was according to another legend, that Arjuna performed penance and fought with Lord Shiva, who had appeared in the guise of Kiratha to win pasupathastra, the most powerful weapon. So this place is also called phalguna theertha.
When Indrakeeladri came in the way of the River Krishna the Gods requested the hill to allow the river to pass through it to join the sea. Keeludu obliged and gave a small passage for the river. But the ferocious Krishna made the passage larger than permitted and carried a part of the hill four miles downstream to Yanamalakuduru, where there is now a hillrock called “Thelukonda” or floating hillrock. According to another legend, Kanaka Durga borrowed the nose-stud of the Krishna and to avoid returning it jumped up the hill. Krishna vowed to take back her ornament by raising her level to the hill top by the end of kaliyuga.
Adi-Sankaracharya visited the temple and installed the Srichakra and initiated workship of Kanaka Durga in vedic ways.
Hiuan Tsang, a Chinese traveler wrote that he has seen many stone inscriptions in the vicinity of the temple that revealed historic events.
Palakethu Bhupaludu made two inscriptions in the period 1150-1240 A.D. One related to unimpeaching Madhava Varma the ruler of this area. The son of poor women was killed when he fell under the wheels of the chariot of the king’s son.
When she sought justice, Madhava Varma’s advisers said that he should be punished with death. But they felt that the offender being the son of the king, could be spared the punishment. When Madhava Varma shown his impartiality by punishing his son with death, there rained gold on Vijayawada and both the boys were blessed to live again.
In yet another incident Malleswara stood by one of his staunch devotees Sripathi Pandithaiah, who believed there was no other God by Malleswara; and his stubbornness made the people ostracize him and he was even refused fire. The enraged Pandithaiah sought the blessings of Malleswara and cursed the people that they would not get fire any more, for he had taken possession of it, packed it in a silk cloth and hung it on a branch of a Sami Vriksham. The people had to apologise to Pandithaiah at the instance of their King, to get back the fire.
The nine-day festival of Navarathri ends on Vijaya Dasami Day when people worship arms and perform ayudha Pooja. Local chieftains used to celebrate the festival with pomp. Once a police officer refused them permission to display their arms on Vijaya Dasami day. He got a cable from that he was dismissed from service following many complaints against him. Terrified by the events, the Officer not only permitted the people to celebrate Vijaya Dasami but also took part in it. Later he got another cable canceling his dismissal order. Thenceforth, it became a tradition for policemen to celebrate Vijaya Dasami, which is still in vogue.
Kanaka Durga is specially decorated as Balatripura Sundari, Gayathri Annapoorna. Mahalakshmi, Saraswathi, Lalitha Tripura Sundari, Durga Devi, Mahissura Mardini and Raja Rajeswari Devi on each day of the Narvarathri festival. On Vijaya Dasami day, the deities are taken in a swan-shaped boat around the Krishna river, popularity known as “Theppotsavam”.
Though a ghat road was laid in 1969, most of the pilgrims prefer to climb the steps leading to the temple an arduons task for women and children. Some devotees climb the hill, decorating the steps with turmeric powder and vermilion to redeem their pledge of Metla Pooja.
The number of pilgrims visiting the temple has been ever increasing and its present annual income is touching Forty Crores. A second prakara Mandapam is constructed with first floor on the North and West, besides under taking several other works for beautification and public convenience.
For the first time in the living memory “Sathachandiyagam” was performed in the temple from 28-12-1987 to 2-1-1988, for the benefit of mankind, as also to protect them from all evils.
This temple is under the administrative control of the Government of Andhra Pradesh, and is presently managed by an Executive Officer of the rank of Joint Commissioner of Endowments.
Sunday, September 9, 2007
loans
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